EDITING AND MIXING

I routed all my audio tracks to folders and colour coded these for organisation and workflow. I also used markers to help me cue the recordings of the ADR and foley as well as my other SFX. I colour coded these markers corresponding to the folders (Dialogue – Pink, Coraline foley – Indigo, OM foley – Aqua, SFX – Purple) and this made my workflow faster and smoother as I could see visually where I needed to record from next.