Another point that came up during my client feedback session was that the beginning of the track felt a little empty in terms of rhythmic/percussive elements. I had mentioned to my lecturer that I had been intending to use some everyday objects to create strange, percussive sounds such as rulers. He agreed that this was an avenue to explore so I ended up recording some ruler hits. I record 2 different versions, one of staccato hits and another where I hung a part of the ruler off the edge of a table, pulled and let it go making a rattling sound. I liked both of the sounds and decided to use them together. I used some compression on each hit, purely to control the peaks of the transients and control the dynamic range overall as I wanted the audio to ring out and this helped bring it into balance with the power of the original hit. I also used some EQ to rectify this as with the force of the initial hit it brought too much low end into a track that features in this frequency range heavily. It also created a weird “boomy sound” so I used a low-cut filter to control this. For the 2nd ruler track, I also cut the high frequency as I wanted to solely focus on the mids which is where the sound was strongest. I left these open on the 1st ruler however as when playing I would pull the ruler back along the table whilst it was rattling as it changed the pitch of this and wanted to leave that in.


I also added a delay to both of the tracks to emphasise and elongate the sound. I then added a large reverb to both using the Studio Reverb plugin on the church setting to make them sound more ambient. This, paired with the delay, made ruler 2’s staccato hits sound like loud raindrops in cave which tied in nicely with the Droney Cave reverb used on the WST instrument.


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